Sources described an investigation that has widened to focus on possible financial crimes The increased financial focus hasn’t gone unnoticed by President Donald Trump Washington CNN Federal investigators exploring whether Donald Trump’s campaign colluded with Russian spies have seized on Trump and his associates’ financial ties to Russia as one of the most fertile avenues for moving their probe forward, according to people familiar with the investigation. The web of financial ties could offer a more concrete path toward potential prosecution than the broader and murkier questions of collusion in the campaign, these sources said. One year after the FBI opened an investigation, the probe is now managed by special counsel Robert Mueller. Sources described an investigation that has widened to focus on possible financial crimes, some unconnected to the elections, alongside the ongoing scrutiny of possible illegal coordination with Russian spy agencies and alleged attempts by President Donald Trump and others to obstruct the FBI investigation. Even investigative leads that have nothing to do with Russia but involve Trump associates are being referred to the special counsel to encourage subjects of the investigation to cooperate, according to two law enforcement sources. The increased financial focus hasn’t gone unnoticed by Trump, who warned Mueller, via an interview with The New York Times , that his financial dealings were a red line that investigators shouldn’t cross. But the order establishing the special counsel makes clear Mueller is authorized to investigate any matters that “arose or may arise directly from the investigation.
Shares Our Verdict The new Mini Jubilees blend the coveted tone and good looks of the original with a smaller and more portable package. Pros Compact, very portable and great tone available at low to medium volume levels. Cons Can become a little flubby when wound right up; no matching extension cabinet. This made it easier to drive the output stage properly and get that elusive blend of power amp grind and preamp drive, together with a smoother and more predictable EQ, which didn’t have the peaky midrange that affected some other models from that era.
Dating a Marshall amplifier can be a daunting task for even the most savvy of suitors — Amp Archives is here to help. – The earliest Marshall amplifiers were made in .
Marshall Code 25 Review 87 The Marshall Code 25 is the smallest offering in the new modelling amp series. The Code line-up features fully-programmable digital amps. The series was launched in January and caused some big waves in the industry at the time. There are four other models in the series: All the amps are closed-back designs, providing a focused, modern sound. Marshall Code 25 feature set The Code 25 has a smaller screen than the other models in the series.
The control panel combines the Edit and Preset knobs, while the larger amps have dedicated knobs for each function. Apart from that, the models are really quite similar to one another. The main difference between each one is the power amp and speaker set-up. The inch speaker on the Code 25 means it lacks some of the grunt of the inch speakers in the larger amps.
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Submit your Guitar How much is my amp worth? The number of months of history varies depending upon when tracking started for that amplifier. Information is obtained from closed eBay auctions and is updated weekly. The Amp Guide receives questions everyday from folks wondering how much their amp is worth, and this new tool will help the vintage music community in determining fair market value and create a well informed industry. There are many factors that go into figuring out how much your amp is worth other than the make and model.
Have any of the electrical components been replaced?
Date Code: Wide panel, narrow panel, brown, blonde, and black face amps have a date code hand-stamped on the tube code is made up of two letters. The first letter translates to the year and the second to the month. The reissue amps also made use of this code.
The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code. In 3 digit dates code, the 1st digit is the last digit of the year.
On 4 digits date codes, the 1st and 2nd digits are the last two digits of the year. In either case, the remaining 2 digits are the week of manufacture 01 to With this in mind, remember if the last two digits of the source-date code are greater than 52, you’re not looking at the source-date code! Also it’s worth mentioning: On 3 digit date codes, you have to “guess” the decade of the pot or speaker. Usually this isn’t too difficult. Examples of Source-Date Codes. With all this information in mind, can you identify the following manufacturer and date of these source-date codes?
Benji Marshall signs deal to return to the Wests Tigers
The differences are quite significant. They give each of these amps a completely different sound, unique dynamics, and a separate place in history. Their commonalities with the 5F6-A, however, are also quite striking. Given a universe of possible modifications to these circuits, it is enlightening to know where Marshall chose to focus its innovation. The third edition also adds a chapter on the dynamics of the power amp when severely overdriven.
Intentionally overdriving a Class AB1 design was unthinkable in the age of Frederick Terman and the Radiotron Designer’s Handbook, so there hasn’t been a lot written on the subject.
Dating marshall amps Nov / comments / views Based on BOSS’s acclaimed Tube Logic approach, the comprehensive AIRD system in the GT brings unparalleled musical response and flexibility to a digital guitar processor.
This is a note-for-note transcription of Chuck Leavell’s entire 1: Study this classic solo in detail, and learn to play it yourself, precisely as Chuck Leavell does. Moderate To listen, just click: This note-perfect piano transcription shows Leavell’s solo in “Jessica” to be beautifully structured, containing a great section of over-the-bar-line type of phrasing, which leads into ascending and descending octave phrases, then into a section of “hammer-on” fourths, ending with an ascending broken-octave passage in unison with the rest of the band.
There’s lots of fun stuff in this piano solo to learn, and to learn from. This complete transcription also shows exactly how Leavell comps during the Verses, the Bridge, the Out section – every ‘lick’ in perfect detail. If you’ve ever wanted to play “Jessica” just like the record, this is exactly what you need. To see a customer’s comment about this transcription, click here.
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Marshall was a drummer and drum teacher who used his earnings to set up a music shop in west London in Among his customers were the likes of Ritchie Blackmore and Pete Townshend, and it was through talking to them that Marshall realised there was a gap in the market for a guitar amplifier cheaper than the American-made models popular at the time. When, at Townshend’s request, a Marshall amplifier head was teamed with a cabinet, the ” Marshall stack ” was born, becoming the defining feature in rock bands’ backlines for generations to come.
Virtually every major guitarist has used Marshall amps at one time or another, and giant arrays of Marshall cabs — often suggested to be empty boxes , with no actual amplification purposes — have become key stage props for generations of metal bands, especially. Among the musicians paying their respects to the late innovator was former Guns N’ Roses guitarist Slash, who tweeted: My thoughts and prayers go out to Paul and his family.
I find that this amp is a good match for any style of music which makes use of anywhere between low-gain crunch tones and medium gain soaring lead tones (think ’80s rock like Guns N’ Roses or.
I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.
Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates.
The boss came around and said what we’d be building. The chassis weren’t used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes. I think in the corners of the boxes were older pots remaining from earlier dates I think the better, older hands did 35 a day. Like I said, there were 5 or 6 of us at the benches every day. But it wasn’t always ‘cool guitar’ amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs.
Wests Tigers recruit Ben Matulino couldn’t say no to Ivan Cleary a second time
The affordable, digital front-end, combined witha solid-state power amp and software partner app is a popular choice home users, so how does the CODE range stack up? The line-up spans everything from a watt 1×10 combo to a beefy watt 2×12 combo and head – here we’re looking at the CODE50 combo, which packs a watt power stage in a 1×12 enclosure. There’s plenty of choice, too: It all compares favourably with amp modelling combos from the likes of Line 6 and Blackstar.
Feb 16, · Help Dating an old Marshall Cab. Discussion in ‘Cabinets & Speakers’ started by AudioWonderland, Oct 21,
Even though it offers just 5 watts of power delivered via two high-performance 6. This is enhanced by eight different COSM amp models and six onboard digital effects. Want more on the Roland Street Cube? Check out the full review! Despite their low volume and limited features, you can find some exceptional sounds and versatility that will make practice sessions good fun.
This category can throw up some poorly made cheap amps, so stick to bigger brand names, such as the Blackstar ID: While you may outgrow one of these affordable amps after a year or so, they are a great way to begin. In this category you are looking at very good practice rigs, although as power is still pretty low they may not be suitable for more than small casual performances. This is the first category where you will find both amp heads and tube amps, although the choice of these is very, very limited.
This combo provides a solid tone, 25 watts of power and plenty of amp voices and effects to play around with. As well as improved solid-state combos, amp heads and tube amps become more readily available in this range, even if they are a little basic. Some very powerful modeling amps are available too, such as the Line 6 Spider V 60 , which packs a stage-worthy 60 watts of power, with more than amps, cabs and effects models built in.
This category includes a big choice of both amp heads and combos, solid-state and tube amps. While they make great practice amps, they are all worthy of small to medium-sized gigs and studio recording.
Marshall CODE100 100 Watt Combo Amp
User Rating 5 Ratings The earbuds have brass accents that make the important parts of the headphones pop out from the all-black design. People who prioritize sound quality. The design team at Marshall does a great job at making their products instantly recognizable, with an all-black design accented by brass.
These earbuds are no exception, with a golden brass multifunction knob on the control module, and gold logos on either earbud. The first reason is that having a bit of flashy brass is entirely on brand for Marshall. As an added bonus, music automatically pauses when they click together which is nice.
Celestion DATE CODES Since , all Celestion chassis drivers have been stamped with a date code (2 numbers and 2 letters), denoting the exact date of manufacture. The codes are added on the production line and are placed on the speaker’s housing leg or the magnet edge.
Amplifier Features , Amplifiers , , , Dual Super Lead , handwired , jcm , jcm , jcm , jmp , marshall , metal panel , shopper’s guide , silver jubilee David Szabados We love our Marshall amps! Ultimately though — use your own ears and compare. This arrangement continues today. The mark to the aluminum metal panel Marshalls also marks a significant reduction in comparative value between them and the earlier plexi-paneled Marshalls, though basically by late into early , the circuit was essentially the same.
Again, the additional gain from these amplifiers make them desirable for hard rock applications, but the distortion of course still came from both the preamp and power amp stages, creating a rich tone full of warm tube harmonics and of course a wonderful dynamic sense. Plate voltages were reduced during this early metal panel era, resulting in a circuit that was somewhat easier on the power tubes.
These amplifiers are also noted for being slightly brighter in tone then plexi amplifiers, making them sonically more aggressive. This is the opposite case with the first plexi Marshalls which are really tuned to favor PAF-style humbucking pickups that are more tonally balanced. In , the Marshalls made for export to the U. General consensus is that the EL equipped Marshalls were and are thought of more highly, with the added headroom of the not being as desired in the non-master volume Marshalls of the day.
One debate regarding the shift from handwired turret board to PCB circuits is what, if any, effect was made to the tone of the amps. Early handwired amps are certainly more valued and more expensive. Claims in favor of the handwired amps have been made that not only are they easier to service and work on certainly a fact! I suggest that you let your ears decide what sounds best to you.
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From until Marshall amplifiers were identified by a four-digit sequential number inside the back panel, reportedly starting with in and reaching at the beginning of While there are serial-like numbers during this era, no standard serial number format has been identified. The model numbers can be somewhat confusing because model numbers such as or can be mistakenly interpreted as the production year of the amplifier.
Amplifiers from this era must be dated within this time span based on their features, or component manufacturers and codes, including speakers, potentiometers and transformers. JTM block logos changed to gold-plated plastic script, these are fragile and many have been replaced. Cabinet feet are small round and gray.
Marshall amps with a Barcode The first two numbers are the year, and the last two numbers are the month. Marshall amps with a Barcode Present: In Marshall changed to the latest dating system which is the easiest to decipher of them all. It is simply the year followed by the week.
According to an article on gibson. In this video, he can be seen playing the intro to “Red House” on this guitar. The Flying V has a black finish and gold hardware, and diamond inlays instead of the usual dots. Original source article here. It was one of the guitars that he had the longest, it stayed with him several years. He called the guitar “Betty Jean” after his girlfriend, and left the guitar with her mother when he went off to the Army in